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CINEMA EOS
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9 Suffici ent exposure latitude below the 100 % reference to help ensure a high tonal reproduction for nominally exposed scenes and an ability to reproduce color ed details in unusually dark areas of the scene 2. A high Luma signal to noise ratio at the 100% reference level – of at least 65 dB
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Understanding the EOS C300's Canon Log Gamma
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This article will discuss the new Canon Log Gamma of the Canon EOS C300, show sample images and discuss its advantages in post-production. The article will also explain how the View Assist feature works and discuss CP CINEMA Locked Mode.
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WhitePaper-imageperformanceenhancements-eosc300markii.pdf
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This level of sensitivity also offers creative flexibilities in setting NDfilters,lens aperture, and electronic shuttering – for controlling depth of field – overarangeof lowlightsituations. Attheotherextreme, the ISO 100 setting can support control of the depth of field in very bright illuminace with the aid of the extended ND filters in the camera [7]. The excellent Luma signal to noise ratio of 67dB (up to ISO 1600) ensures superbly quiet imagery
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CINEMA EOS
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The discussions in the White Paper (Deep Dive Part 1 ) centered about the all -important linear representation of the camera video. Now that video must be further “prepped” in a manner that can help ensure that the extensive dynamic range created by the imaging system will be fully protected while being recorded – and also as it is transported over industry standardized interfaces. This is the primary role of the camera’s Optoelectronic Transfer Function (OETF).
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whitepaper-ergonomic-operational-enhancement-eosc300markii.pdf
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Many requested the capability of showing the waveform monitor and principal camera settings (presently shown only on the 4-inch LCD monitor of the C300) on an external on-set reference monitor as well as in the camera monitor. In the C300 Mark II the capability has been added to send the WFM and certain camera assist information viatheMON3GSDIinterface and HDMI interface.
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