| Search Results |
 |
CINEMA EOS C300 & C500
|
This provides an additional degree of protection when dealing with extreme highlights – which can prove especially useful if light meters are not accurately calibrated. ... The information supplied here should aid in the design of a conversion to Cineon or alternatives. ... This information will aid the design of conversion from Canon-Log to linear or other spaces.
|
|
 |
The camera LCD screen is black while outside.
|
The LCD Screen may appear black or blank if viewed while wearing "polarized" sunglasses. Polarizing lenses work by filtering out horizontal light that causes glare. This can also cut the light being shown thru the LCD of the camera.
|
|
|
Air travel restrictions information for carrying lithium and lithium ion batteries.
|
Travel Restrictions for Lithium and Lithium Ion Batteries A battery's electrical connections (also called contacts or terminals,) must be protected from contact with metal or other batteries that may cause the battery to short-circuit. You can do this in several ways.
|
|
|
EOS C300 / EOS C500
|
Most large-format single-sensor cameras employs the Bayer CFA (color filter array) to encode the RGB color information. Typically, the RAW outputs from these cameras constitute a single output signal which is subsequently debayered to structure the three separate RGB video components. This process entails some degree of reconstruction errors depending upon the sophistication of the debayering algorithm.
|
|
|
Installing and Uninstalling Canon XF Utility (Windows)
|
Canon XF Utility software and then selecting [ Help ] > [View instruction manual]. Viewing the Plugin Instructions
|
|
|
EOS c500 & C300
|
IftheMaster gain is raised by 2.5 dB then the noise floor is amplified, but the lens setting can be readjusted for anISO 850 setting to restore the correct 18% gray card exposure – under which condition the overall effective dynamic range is increased from 600% to 800 %. This raises the exposure latitude to 5.3 stops above the 18% exposure level affording a higher degree of protection of the capture of scene’s brightest highlights. This is sometimes termed the “Push Process” in cinematography.
|
|
