Extraordinary advances in optical designs have taken place over the past twenty five years. There have been the steady advances in Super 35mm lenses (and larger formats) used in motion picture film production over many decades. The 1990 s saw the arrival of production HDTV systems based largely upon the small 2 /3-inch image format which was to spur highly competitive worldwide developments in HD studio, field, EFP, and ENG lenses.
Camera/Extender Compatibility Chart * 2 : EOS650, EOS620, EOS750, EOS750 QD, EOS850, EOS850 QD, EOS700, EOS10S/10, EOS REBEL/1000, EOS REBEL S /1000 F, EOS REBEL S QD/1000 FN QD, EOS ELAN/100, EOS630/600, EOS RT, EOS-1, EOS REBEL II/1000N, EOS A2/5
Using the Image Stabilizer Mode Set the STABILIZER switch to OFF when you are taking pictures using the BULB setting (long exposures). If the STABILIZER switch is set to ON, the image stabilizer function may introduce errors . The Image Stabilizer might not be fully effective in the following cases:
At NAB 2014 Grass Valley ignited the 4K 2/3-inch movement with the unanticipated showing of a prototype of what is now the LDX 86 Universe three-CMOS sensor camera system that has the ability to switch the camera from 4K UHD 1X operation to HD 6X extreme-speed operation. This was followed mid- year 2014 by Hitachi’s introduction of their S K-UHD4000 HDTV Studio, Field Production four-CMOS sensor Camera system.
