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Lenses that support changes to AF Speed and AF Response settings. (EOS C700)
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... EF24mm f /2.8 IS USM ... EF28mm f /2.8 IS USM EF35 mm f /1.4 L II USM ... EF35mm f /2 IS USM ... EF40mm f /2. ... ... EF50mm f /1. ... EF85 mm f /1.4 L IS USM ... EF100mm f /2.8 L Macro IS USM EF 300mm f /2.8 L IS II USM ... EF400mm f /2.8 L IS II USM
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With some EF lenses, the camcorder may take longer to focus automatically or may not be able to focus correctly.
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... EF50mm f /1.4 USM ... EF50mm f /2. ... ... EF15mm f /2. ... ... -55mm f / 3.5 - 5.6 ... -55mm f / 3.5 - 5.6 II ... -55mm f / 3.5 - 5.6 USM ... -55mm f / 3.5 - 5.6 II USM ... -35mm f /2.8 L ... -55mm f /4- 5.6 USM
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CINEMA EOS
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There are two basic consideration s here. When the EOS C700 is employed to originate major theatrical motion pictures or high -end episodics for television programs then serious consideration should be given to deployment of our two Top -end C ine ma EOS len ses – either the CN -E14.5 – 60 mm or the CN -E 30 – 300mm . This is especially important if 4K or 4.5K RAW recording is used.
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Monitoring the Audio with Headphones on EOS C700 models
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Monitoring the Audio with Headphones Connect headphones with a ø 3.5 mm stereo mini-plug to the (headphone) terminal to monitor the recorded audio. NOTES
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Audio Settings and Recorded Audio Channels on an EOS C700 model
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Connecting an External Microphone or External Audio Input Source to the Camera To each of the INPUT terminals you can attach commercially available microphones, digital audio sources (AES/EBU), or analog line in sources with an XLR connector. To the MIC terminal you can attach commercially available condenser microphones with their own power supply, and a ø 3.5 mm stereo mini plug.
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CINEMA EOS
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뀀ഀƞ뀀ഀƞ뀀ഀƞ뀀ഀƞ뀀ഀƞ Figure 5 A 6 -stop ND filter switched into a nominally exposed chart places the black chip at 9.5 stops below 100 IRE reference white level
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