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Lenses that support changes to AF Speed and AF Response settings. (EOS C700)
... EF24mm f /2.8 IS USM ... EF28mm f /2.8 IS USM EF35 mm f /1.4 L II USM ... EF35mm f /2 IS USM ... EF40mm f /2. ... ... EF50mm f /1. ... EF85 mm f /1.4 L IS USM ... EF100mm f /2.8 L Macro IS USM EF 300mm f /2.8 L IS II USM ... EF400mm f /2.8 L IS II USM
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With some EF lenses, the camcorder may take longer to focus automatically or may not be able to focus correctly.
... EF50mm f /1.4 USM ... EF50mm f /2. ... ... EF15mm f /2. ... ... -55mm f / 3.5 - 5.6 ... -55mm f / 3.5 - 5.6 II ... -55mm f / 3.5 - 5.6 USM ... -55mm f / 3.5 - 5.6 II USM ... -35mm f /2.8 L ... -55mm f /4- 5.6 USM
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CINEMA EOS
There are two basic consideration s here. When the EOS C700 is employed to originate major theatrical motion pictures or high -end episodics for television programs then serious consideration should be given to deployment of our two Top -end C ine ma EOS len ses – either the CN -E14.5 – 60 mm or the CN -E 30 – 300mm . This is especially important if 4K or 4.5K RAW recording is used.
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Monitoring the Audio with Headphones on EOS C700 models
Monitoring the Audio with Headphones Connect headphones with a ø 3.5 mm stereo mini-plug to the (headphone) terminal to monitor the recorded audio. NOTES
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Audio Settings and Recorded Audio Channels on an EOS C700 model
Connecting an External Microphone or External Audio Input Source to the Camera To each of the INPUT terminals you can attach commercially available microphones, digital audio sources (AES/EBU), or analog line in sources with an XLR connector. To the MIC terminal you can attach commercially available condenser microphones with their own power supply, and a ø 3.5 mm stereo mini plug.
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CINEMA EOS
뀀ഀƞ뀀ഀƞ뀀ഀƞ뀀ഀƞ뀀ഀƞ Figure 5 A 6 -stop ND filter switched into a nominally exposed chart places the black chip at 9.5 stops below 100 IRE reference white level
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