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CINEMA EOS
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Canon clearly heard the widespread concern about the challenge of ensuring sharp focus – especially when shooting 4K / UH D – and responded by endowing the EOS C 700 with impressive tools to assist in alleviating this challenge . The EVF -V70 electronic viewfinder constituted a sizeable development program in its own right.
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Manual Focus on the EOS C700 models
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Manual Focus In order to focus more accurately, you can use the following focus assistance functions: Dual Pixel Focus Guide ( C 700 C700 FF
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Displaying Onscreen Markers, Zebra Patterns and False Color with EOS C700 models
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Using onscreen markers allows you to make sure your subject is correctly framed and is within the appropriate safe area. The zebra patterns help you identify areas that are overexposed. The false color display allows you to check if the exposure is correct.
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Adjusting the Focus on EOS C700 models
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Adjusting the Focus Manual focus: Turn the focus ring on the lens to adjust the focus. The camera offers several focus assistance functions to help you focus more accurately when using the manual focus.
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Using the Waveform Monitor on an EOS C700 model
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Displaying the Waveform Monitor [ Assist . Functions]
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Face Detection AF on the EOS C700 and EOS C700 FF
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The camera will keep tracking the main subject even when it moves. You can use face detection with one of the autofocus functions to let the camera focus on the main subject automatically (Face AF). You can also combine face detection with the focus guide to help you focus on the main subject manually.
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Changing the AF Frame Size and Position on the EOS C700 and EOS C700 FF
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C700 C700 FF Changing the AF Frame Size and Position [Selectable]: You can move the AF frame using the joystick or SELECT dial on the optional viewfinder or by pressing ALT [F. ASSIST .] FRAME] and then pressing [
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Using Metadata on the EOS C700 models
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Entering Information About the Recording You can enter scene and take information to help identify the recording later on.
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CINEMA EOS
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The discussions in the White Paper (Deep Dive Part 1 ) centered about the all -important linear representation of the camera video. Now that video must be further “prepped” in a manner that can help ensure that the extensive dynamic range created by the imaging system will be fully protected while being recorded – and also as it is transported over industry standardized interfaces. This is the primary role of the camera’s Optoelectronic Transfer Function (OETF).
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CINEMA EOS
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An optional Codex CDX -36150 dockable recorder allows capture of uncompressed 4K RAW @ 12 or 10 -bit up to 120 fps. 15 -Stop dynamic range helps ensure excellent HDR acquisition and a choice of four color gamuts ( including two wide gamuts – the ITU -R BT.2020 and the Canon developed Cinema Gamut ) supports a diversity of creative aspirations in both television and movie production.
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