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Clean and Sanitize Your Camera Equipment
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Cleaning of Camera, Lens and Video Products For the purpose of helping to sanitize your Canon Camera, Lens and Video products, it is recommended that you clean parts touched with the hands such as camera grips, dials and lens exteriors.
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Introducing the Canon RF 24-70mm F2.8 L IS USM
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Experience the possibilities with the new RF 24-70mm F2.8 L IS USM lens. Engineered with Nano USM technology for accurate and silent AF operation — combined with reduced focus breathing for more seamless focus transitions — this dynamic L-series lens helps you cover it all.
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Canon Maintenance Service
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Canon Maintenance Service will help ensure your Canon EOS Digital SLR camera and EF lenses maintain optimal condition and performance. Your equipment will be serviced by Canon Factory Trained Technicians, using state-of-the-art technology, to help ensure continued optimal image quality.
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Definition: Wide-Angle Lens
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Wide-Angle Lens Wide-angle lenses help us capture the big picture. They are commonly used for landscape and interior photography, when we want to photograph a large part of the scene and get the elements in a scene in focus.
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EOS R SYSTEM MOUNT ADAPTERS BATTERY GRIP
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BatteryGripBG-E22 An optional accessory for the EOS R camera, the Battery Grip BG-E22 enables seamless vertical operation, helps maintain optimal lens balance and holds 2 LP-E6N battery packs to extend operation time. EOS R
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POWER ZOOM ADAPTER PZ-E1
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• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. • Consult the dealer or an experienced radio/TV technician for help . CAN ICES-3 (B) / NMB-3 (B)
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CINEMA EOS LENSES
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Studying how each of these lenses convoluted with the Canon CMOS image sensor and allied Canon CFA helped establish overall color reproduction benchmarks that guided the subsequent exploration of the new Canon cinema lens spectral response. Video processing – in the form of the digital linear matricing system – was also optimized. The judgment of color balance was made by Canon color scientists in concert with invited directors of photography studying the simulated imagery.
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CINEMA EOS LENSES
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Canon’s optical design teams spent a considerable time using powerful computer aided simulation tools to explore the possibilities in reconciling very high 4K specifications with a variety of novel design strategies that would collectively contribute to a unique Canon Personality in the new cine zoom lenses. That extensive exploration examined all aspects of lens image quality parameters and image aberrations and distortions in a prolonged search for an aggregate performance that would speak to the urgings of those with whom we had consulted.
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4k LENS
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Upon confronting the term Modulation Transfer Function, the question immediately arises as to what is being modulated, what is being transferred, and how does all of this bear upon resolution? It will be shown that these terms help us provide a linkage between the resolution capability of an imaging component and the contribution that component makes to the perceived sharpness seen when we look at the final reproduced image.
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two-third-inch-4k-uhd-production-whitepaper.pdf
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Canon engaged with the camera manufacturers developing 4K UHD cameras where the central topic was the quest for genuine 4K resolution. The early work with each centered about benchmarking the latest generation of HD lenses to help identify the various optical performance parameters essential to advancing 2/3-inch lens to 4K UHD image quality. Of particular interest to all of the camera manufacturers were the following:
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