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Canon Sumire Prime cinema lens specifications
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CN-E85mm T1.3 FP X CN- E 135mm T 2.2 FP X Mount
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Macro Operation on the CINE-SERVO 17-120mm T2.95-3.9 (CN7x17) lens.
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Macro Operation on the CINE-SERVO 17-120 mm T 2.95-3.9 (CN7x17) lens.
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Definition: Macro Lens
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Macro Lens Macro lenses let us ... subject than a macro setting on a ... ... The optics in macro lenses are also ... Macro lenses give us ... Most true macro lenses focus down ... A 100 mm macro lens provides a ... than a 50 mm macro lens. ... focal-length macro lens. With macro lenses, depth ... Many professionals typically shot most of their close-up images at small apertures such as f /16 or f /22, for the greatest sharpness from in fromt of the subject to behind it.
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CINEMA EOS LENSES
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Canon’s optical design teams spent a considerable time using powerful computer aided simulation tools to explore the possibilities in reconciling very high 4 K specifications with a variety of novel design strategies that would collectively contribute to a unique Canon Personality in the new cine zoom lenses. That extensive exploration examined all aspects of lens image quality parameters and image aberrations and distortions in a prolonged search for an aggregate performance that would speak to the urgings of those with whom we had consulted.
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4k LENS
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Upon confronting the term Modulation Transfer Function, the question immediately arises as to what is being modulated, what is being transferred, and how does all of this bear upon resolution? It will be shown that these terms help us provide a linkage between the resolution capability of an imaging component and the contribution that component makes to the perceived sharpness seen when we look at the final reproduced image.
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Definition: Wide-Angle Lens
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Wide-Angle Lens Wide-angle lenses help us capture the big picture. They are commonly used for landscape and interior photography, when we want to photograph a large part of the scene and get the elements in a scene in focus.
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CINEMA EOS LENSES
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Studying how each of these lenses convoluted with the Canon CMOS image sensor and allied Canon CFA helped establish overall color reproduction benchmarks that guided the subsequent exploration of the new Canon cinema lens spectral response. Video processing – in the form of the digital linear matricing system – was also optimized. The judgment of color balance was made by Canon color scientists in concert with invited directors of photography studying the simulated imagery.
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