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Canon Sumire Prime cinema lens specifications
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23.1 × 13.0cm 19.7 x 11 .0cm 13.7 x 7.7cm
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How to clean the lens contacts on a Canon lens.
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If the lens contacts get soiled, scratched , or have fingerprints on then, corrosion or faulty connections can result. This can cause the camera and lens to not operate properly.
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Clean and Sanitize Your Camera Equipment
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Cleaning of Camera, Lens and Video Products For the purpose of helping to sanitize your Canon Camera, Lens and Video products, it is recommended that you clean parts touched with the hands such as camera grips, dials and lens exteriors.
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How to access Programs and Features (to uninstall programs) in Windows 8
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On your keyboard, hold the windows key and press " X ". Click Programs and F
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Definition: Wide-Angle Lens
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Wide-Angle Lens Wide-angle lenses help us capture the big picture. They are commonly used for landscape and interior photography, when we want to photograph a large part of the scene and get the elements in a scene in focus.
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Maintenance, Inspection, and Storage of Canon Cinema lenses.
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Be careful not to rub dust across the lens, which may scratch the lens surface.
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How to power the servo unit on a CINE-SERVO lens.
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(CN7 X 17) CINE-SERVO 50-1000mm T5.0-8.9 EF/PL (CN20X50)
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Definition of Depth of Field
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Depth of Field Zone focusing, focus mark setting and fixed focus utilize the depth of field of the lens.
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CINEMA EOS LENSES
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The broadcast lens design group of Canon has serviced the world’s broadcasters, production studios, and mobile production facilities for many decades. This long experience speaks to a global dialog that never ceases as the huge number of practitioners who use these lenses constantly offer critiques, suggestions and pleas that unceasingly propel our developments. From very high-end studios to major sporting events to multiple genres of television programming – the associated design refinements never cease.
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CINEMA EOS LENSES
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Studying how each of these lenses convoluted with the Canon CMOS image sensor and allied Canon CFA helped establish overall color reproduction benchmarks that guided the subsequent exploration of the new Canon cinema lens spectral response. Video processing – in the form of the digital linear matricing system – was also optimized. The judgment of color balance was made by Canon color scientists in concert with invited directors of photography studying the simulated imagery.
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