| Search Results |
 |
Cameras and Lenses Compatible with the Digital Lens Optimizer feature (Digital Photo Professional Ver.3.14.40) (EOS 7D Mark II)
|
Zoom lenses EF 16-35mm f/2.8L USM EF 16-35mm f/4L IS USM
|
|
|
Definition of Zoom Lens
|
|
Definition: Macro Lens
|
Macro Lens Macro lenses let us get much closer to a subject than a macro setting on a zoom lens. The optics in macro lenses are also designed to give superb results when shooting close-up pictures.
|
|
 |
CINEMA EOS LENSES
|
©2014CanonUSA,Inc.Allrightsreserved. The Personality of the Canon Cinema Lens – Session #2 Personality of the Cine Zoom Lens in Relation to Image Sharpness
|
|
|
CINEMA EOS LENSES
|
©2014CanonUSA,Inc.Allrightsreserved. The Personality of the Canon Cinema Lens – Session #3 Personality of the Cine Zoom Lens in Relation to Operation as a Variable Prime
|
|
|
Compatible Cameras and Lenses for the Function of Correcting Lens Aberration with Digital Photo Professional Ver.3.11
|
Zoom lenses EF 16-35mm F2.8L USM EF 16-35mm F2.8L II USM(*3)
|
|
|
CINEMA EOS LENSES
|
1 A Central Technical Underpinning – the Legacy of Developments for 8K UHDTV Some five years ago Canon was requested by the NHK Technical Research Labs to develop a zoom lens that met optical specifications for 8K (sixteen times the resolution of today’s 1080-line HDTV) in support of their ongoing R&D work on UHDTV (termed Super HiVision in Japan).
|
|
|
CINEMA EOS LENSES
|
3 Figure 5 Showing a typical Relative Light Distribution characteristic for a Super 35mm cine zoom lens A Further Twist to Lens Contrast Personality
|
|
|
4k LENS
|
The challenge of tightly controlling lens MTF is further elevated in zoom lenses – because it is also an optical reality that MTF changes over the focal range of the zoom lens. And again, the optical designers must mobilize further innovative optical design strategies to minimize these changes. The demands on 4K lens design are higher than that of HDTV lenses – because of the anticipated very high bar in image resolution expectations.
|
|
