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CINEMA EOS
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Clearly, the traditional setting of BT.709 as described does not do justice to the HDR capab ilities that are latent within the 15 -stop dynamic range of the image sensor. A different re-mapping of the camera settings are required to fully exploit this 15 -stop DR. In addition, t he subsequent OE TF specified by BT.709 must also b e replaced with a form of logarithmic OE TF to help ensure preservation of the full 15 - stop range – this will be discussed in a separate paper .
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whitepaper-ergonomic-operational-enhancement-eosc300markii.pdf
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As shown in the two photos below – the C300 and the new C300 Mark II are physically quite similar. But, as will be outlined in this white paper and two companion papers [ 1 ] and [2] – they are radically different in their image performance and operational capabilities.
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CINEMA EOS C500
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In September 2013 Canon issued a formal press release announcing a range of firmware upgrades for the Cinema EOS cameras. This paper will discuss one specific upgrade among this list – namely, a set of expanded color gamuts for the EOS C500 digital cine camera. A color gamut speaks to the rangeof colors in a specific print or display, or alternatively, what is originated in a specific camera.
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Key Differences between Digital Photo Professional Ver.4.0 and Digital Photo Professional Ver.3.14
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Display in the Digital Photo Professional edit image window using the link between EOS Utility and the application Auto Lighting Optimizer RAW/JPEG RAW only Tone Curve Assist No (* 1 ) Yes Movie playback Displays thumbnails, Launch the movie playback application as per the OS settings No Compositing No (*2) Yes HDR No (*2) Yes Batch Application of Recipes No (*2) Yes RGB palette No (*3) Yes
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Available Custom Picture Settings
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or the video signal output from the various terminals. 1 Open the [View Assist .] submenu. [View Assist.]
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Manual Focus on the EOS C700 models
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Manual Focus You can also display a second frame around a different subject. Setup screen: From the [Focus Assistance Functions] screen in step 1 , [OPTIONS] [Focus Guide]
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Adjusting focus on the EOS C500 Mark II
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NOTES > [ Assistance Functions] > [Peaking 1 ] and [Peaking 2] settings to set the color, gain and frequency of the two peaking levels independently of each other. You can use the MENU
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Eye controlled focus and focus techniques
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contrast detection Phase-difference detection EOS 5D Mark II No TTL secondary image-registration, phase detection 9 plus 6 Assist AF points contrast detection Phase-difference detection EOS 5D No TTL-CT-SIR with a CMOS sensor (TTL secondary image-registration, phase detection) 9 plus 6 Assist AF points - - EOS 6 D No TTL secondary image-registration, phase detection 11 AF points (Center: Cross-type AF at f/5.6
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CINEMA EOS
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This paper will outline the numerous design strategies in a unique second generation digital cinematography production system intended to originate imagery in 2K / HD / 4K / UHD formats that have both High Dynamic Range (HDR) and Wide Color Gamut (WCG).
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61-point automatic selection AF
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With Single-point Spot AF, focusing with the Speedlite’s AF-assist beam may be difficult. If the camera cannot focus with the EOS-dedicated Speedlite’s AF- assist beam, set the AF area selection mode to Single -point AF (Manual selection) and select the center AF point to focus.
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