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Non-linear editing software compatibility XF-AVC (EOS C300 Mark II)
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Manufacturer Product name Version Operating System (OS) Windows Mac Apple Apple Final Cut Pro X To be tested - To be tested Avid Avid Media Composer 8.4 Operation confirmed Operation confirmed Adobe Adobe Premiere Pro CC 2015 Operation confirmed Operation confirmed Grass Valley Edius Pro 8.4 Operation confirmed -
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What memory cards have been verified to work with the camcorder? (EOS C300 Mark II)
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Manufacturer Label Model Numbers Capacity SanDisk Extreme PRO SDCFSP-256G-xxxD (*1)(*2) 256 GB SDCFSP-128G-xxxA (*1) 128 GB SDCFSP-128G-xxxB (*1) 128 GB SDCFSP-128G-xxxD (*1)(*2) 128 GB SDCFSP-064G-xxxB (*1) 64 GB SDCFSP-064G-xxxD (*1)(*2) 64 GB SONY G Series CFast 2.0
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Understanding the EOS C300's Canon Log Gamma
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This article will discuss the new Canon Log Gamma of the Canon EOS C300, show sample images and discuss its advantages in post-production. The article will also explain how the View Assist feature works and discuss CP CINEMA Locked Mode.
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CINEMA EOS
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The discussions in the White Paper (Deep Dive Part 1 ) centered about the all -important linear representation of the camera video. Now that video must be further “prepped” in a manner that can help ensure that the extensive dynamic range created by the imaging system will be fully protected while being recorded – and also as it is transported over industry standardized interfaces. This is the primary role of the camera’s Optoelectronic Transfer Function (OETF).
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CINEMA EOS
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An optional Codex CDX -36150 dockable recorder allows capture of uncompressed 4K RAW @ 12 or 10 -bit up to 120 fps. 15 -Stop dynamic range helps ensure excellent HDR acquisition and a choice of four color gamuts ( including two wide gamuts – the ITU -R BT.2020 and the Canon developed Cinema Gamut ) supports a diversity of creative aspirations in both television and movie production.
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EOS C300 MARK II
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Advanced Video Coding (AVC H.264) has been adopted by most of the major established manufacturers of high end professional content creation products. Because of this adherence to a global unified standard most will incorporate the “AVC” within the individually unique logo identifiers used on their respective products.
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WhitePaper-imageperformanceenhancements-eosc300markii.pdf
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At ISO 800 the exposure latitude is 6.3-Stops over gray and 8.7-Stops below gray – and this is termed the Base ISO. Increasing ISO levels above this Base level is implemented by an analog gain control within the image sensor itself and this helps maintain a consistent disposition of exposure about the gray reference all the way up to maximum ISO 102,400.
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whitepaper-ergonomic-operational-enhancement-eosc300markii.pdf
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Many requested the capability of showing the waveform monitor and principal camera settings (presently shown only on the 4-inch LCD monitor of the C300) on an external on-set reference monitor as well as in the camera monitor. In the C300 Mark II the capability has been added to send the WFM and certain camera assist information viatheMON3GSDIinterface and HDMI interface.
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