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Lenses compatible with Auto Iris functions EOS C300 Mark II
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EF-S 10-18mm f4.5-5.6 IS STM EF-S 18-55 mm f 3.5 -5.6 IS STM EF-S 24-105mm f3.5-5.6 IS STM
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Lenses that support changes to AF Speed and AF Response settings. (EOS C300 Mark II)
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EF 24-70mm f/4L IS USM EF24-105mm f / 3.5 -5.6 IS STM EF24-105mm f/4L IS II USM
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CINEMA EOS
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For this discussion, attention is drawn to the Canon Log 2 and the Canon Log 3 curves shown. With resp ect to the Canon Log 2 curve four key points to note are: 1. At the lower end , the curve extends down to almost 9 -stops below the 18% reference gray 2. At the upper end – the curve itself extends to 8.3 stops above reference 18% gray although the image sensor saturates at 6.3 -Stops (this is termed the 2 -Stop Sensitizing Margin) .
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whitepaper-ergonomic-operational-enhancement-eosc300markii.pdf
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Figure 15 Face detection in combination with Dual PixelCMOSAFisapowerfulnewcreativetool for certain forms of digital motion image production 3.5 EF Lens Communication with C300 Mark II The more than one hundred standard Canon EF lenses have a direct electronic communication with the C300 Mark II camera.
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WhitePaper-imageperformanceenhancements-eosc300markii.pdf
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At ISO 800 the exposure latitude is 6.3 -Stops over gray and 8.7-Stops below gray – and this is termed the Base ISO. Increasing ISO levels above this Base level is implemented by an analog gain control within the image sensor itself and this helps maintain a consistent disposition of exposure about the gray reference all the way up to maximum ISO 102,400.
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CINEMA EOS
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뀀ഀƞ The noise floor of 0.28mV r.m.s is reached at close to 9.0 -stops below the 18% reference gray reflectance and the peak white capabi lity of the image sens or translate s into + 6.3 -Stops above the reference 18% gr ay exposure . Figure 20 Illustrating the lower video signal levels (in millivolts) and the rms noise associated with the camera Luma specification of 68 dB that define the lower boundary to effective camera dynamic range
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EOS C300 MARK II
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The C300 was designed in concert with a family of Super 35 mm cine zoom and prime lenses [2] – a design strategy that did much to optimize the picture qualities of the Cinema EOS combined lens-camera system. ... 6 Figure 3 Showing one example of the newly standardized CFast (2.0) memory cards
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