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Monitoring the Audio with Headphones on EOS C700 models
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Monitoring the Audio with Headphones Connect headphones with a ø 3.5 mm stereo mini-plug to the (headphone) terminal to monitor the recorded audio. NOTES
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Audio Settings and Recorded Audio Channels on an EOS C700 model
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Connecting an External Microphone or External Audio Input Source to the Camera To each of the INPUT terminals you can attach commercially available microphones, digital audio sources (AES/EBU), or analog line in sources with an XLR connector. To the MIC terminal you can attach commercially available condenser microphones with their own power supply, and a ø 3.5 mm stereo mini plug.
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Lenses that support changes to AF Speed and AF Response settings. (EOS C700)
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EF24-70mm f/4L IS USM EF24-105mm f / 3.5 -5.6 IS STM EF24-105mm f/4L IS II USM
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With some EF lenses, the camcorder may take longer to focus automatically or may not be able to focus correctly.
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EF15mm f/2.8 Fisheye EF-S18-55mm f / 3.5 -5.6 EF-S18-55mm f/3.5-5.6 II
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CINEMA EOS
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For this discussion, attention is drawn to the Canon Log 2 and the Canon Log 3 curves shown. With resp ect to the Canon Log 2 curve four key points to note are: 1. At the lower end , the curve extends down to almost 9 -stops below the 18% reference gray 2. At the upper end – the curve itself extends to 8.3 stops above reference 18% gray although the image sensor saturates at 6.3 -Stops (this is termed the 2 -Stop Sensitizing Margin) .
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CINEMA EOS
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뀀ഀƞ The noise floor of 0.28mV r.m.s is reached at close to 9.0 -stops below the 18% reference gray reflectance and the peak white capabi lity of the image sens or translate s into + 6.3 -Stops above the reference 18% gr ay exposure . Figure 20 Illustrating the lower video signal levels (in millivolts) and the rms noise associated with the camera Luma specification of 68 dB that define the lower boundary to effective camera dynamic range
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