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EOS R SYSTEM MOUNT ADAPTERS BATTERY GRIP
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88% horizontal and 100% vertical*** when using RF lenses and select EF lenses, helping to ensure swift and accurate focus no matter where your subject is located in the frame. ... Pristine Video up to 4K 10- bit 4:2:2
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two-third-inch-4k-uhd-production-whitepaper.pdf
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Understanding this rather technical phenomenon is helped when real world image content is related to the Lens-Camera MTF characteristic as shown in Figure 22 . The distant viewing associated with television and cinema dictates that we are more stimulated by edge transitions and textural content than we are by very fine low level details. Accordingly, a high MTF in the mid-band is more perceptive.
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Clean and Sanitize Your Camera Equipment
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Cleaning of Camera, Lens and Video Products For the purpose of helping to sanitize your Canon Camera, Lens and Video products, it is recommended that you clean parts touched with the hands such as camera grips, dials and lens exteriors.
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Introducing the Canon RF 24-70mm F2.8 L IS USM
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Experience the possibilities with the new RF 24-70mm F2.8 L IS USM lens. Engineered with Nano USM technology for accurate and silent AF operation — combined with reduced focus breathing for more seamless focus transitions — this dynamic L-series lens helps you cover it all.
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Canon Maintenance Service
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Canon Maintenance Service will help ensure your Canon EOS Digital SLR camera and EF lenses maintain optimal condition and performance. Your equipment will be serviced by Canon Factory Trained Technicians, using state-of-the-art technology, to help ensure continued optimal image quality.
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Definition: Wide-Angle Lens
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Wide-Angle Lens Wide-angle lenses help us capture the big picture. They are commonly used for landscape and interior photography, when we want to photograph a large part of the scene and get the elements in a scene in focus.
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Using macro flash with the MP-E 65mm f/2.8 1-5x Macro Photo lens
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Other Notes Multiple, EOS-dedicated Speedlites can be used for fully automatic wired or wireless flash photography.
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CINEMA EOS LENSES
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The broadcast lens design group of Canon has serviced the world’s broadcasters, production studios, and mobile production facilities for many decades. This long experience speaks to a global dialog that never ceases as the huge number of practitioners who use these lenses constantly offer critiques, suggestions and pleas that unceasingly propel our developments. From very high-end studios to major sporting events to multiple genres of television programming – the associated design refinements never cease.
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POWER ZOOM ADAPTER PZ-E1
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• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. • Consult the dealer or an experienced radio/TV technician for help . CAN ICES-3 (B) / NMB-3 (B)
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CINEMA EOS LENSES
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Studying how each of these lenses convoluted with the Canon CMOS image sensor and allied Canon CFA helped establish overall color reproduction benchmarks that guided the subsequent exploration of the new Canon cinema lens spectral response. Video processing – in the form of the digital linear matricing system – was also optimized. The judgment of color balance was made by Canon color scientists in concert with invited directors of photography studying the simulated imagery.
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