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whitepaper-ergonomic-operational-enhancement-eosc300markii.pdf
Figure 19 The Mon output 3G SDI interface and HDMI interface carries certain camera assist information and the WFM to the external display. 13
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Understanding the EOS C300's Canon Log Gamma
This article will discuss the new Canon Log Gamma of the Canon EOS C300, show sample images and discuss its advantages in post-production. The article will also explain how the View Assist feature works and discuss CP CINEMA Locked Mode.
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CINEMA EOS
The discussions in the White Paper (Deep Dive Part 1 ) centered about the all -important linear representation of the camera video. Now that video must be further “prepped” in a manner that can help ensure that the extensive dynamic range created by the imaging system will be fully protected while being recorded – and also as it is transported over industry standardized interfaces. This is the primary role of the camera’s Optoelectronic Transfer Function (OETF).
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CINEMA EOS
An optional Codex CDX -36150 dockable recorder allows capture of uncompressed 4K RAW @ 12 or 10 -bit up to 120 fps. 15 -Stop dynamic range helps ensure excellent HDR acquisition and a choice of four color gamuts ( including two wide gamuts – the ITU -R BT.2020 and the Canon developed Cinema Gamut ) supports a diversity of creative aspirations in both television and movie production.
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WhitePaper-imageperformanceenhancements-eosc300markii.pdf
At ISO 800 the exposure latitude is 6.3-Stops over gray and 8.7-Stops below gray – and this is termed the Base ISO. Increasing ISO levels above this Base level is implemented by an analog gain control within the image sensor itself and this helps maintain a consistent disposition of exposure about the gray reference all the way up to maximum ISO 102,400.
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EOS C300 MARK II
It uses a 4K single image sensor to exclusively originate 1920 x 1080 HD [1]. ... Utilizing two CFast cards allows the choice of parallel recording (for backup) or relay recording that doubles the recording durations listed in Table 6. 7
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